The Tempest is a Shakespearen play that was first recorded in the 1600’s. Although it was mostly interpreted as a comedy in the beginning, and performed at court performances and festivals, many newer adaptations of The Tempest focus on the more somber themes of the play. Following the Restoration of the Second Engish Civil War, more female roles were added to the play due to women being allowed to perform in theatres. The concept of “pro-monarchy” was also emphasized in the newly written sections to try and promote the system of government following the Second English Civil War. This eventually lead to the inclusion of libretto and operetta elements.

In the early 1900’s, Shakespearean plays reverted to more traditional conditions to accommodate the Elizabethan thrust stages. These stages were known for making the audience feel closer to the actors by having front rows on three sides of the stage. The music was composed and played on Renaissance instruments.

However, the efforts to return to traditional settings didn’t last long. 1900’s Shakespearean culture quickly changed from a traditional perspective to a political one. The character Ariel was changed to a woman’s role in order to reflect colonialism. Ariel was a symbol of an educated slave who would take over after the colonists left, whereas Caliban was a symbol of an uneducated slave. In one production, the King of Naples was meant to resemble the English Prime Minister, Margaret Thatcher.

The Tempest has changed since entering the 21st Century. Some productions have implemented new ideas to fit the time period while others are trying to recreate the original play as close as possible. The biggest changes to the play today are due to technological advances and trying to make the play encompass modern issues. Julie Taymor’s adaptation of The Tempest casted Prospero as a woman, which portrays how the industry has been more inclusive when it comes to diversity. Gregory Doran has taken advantage of the technological advances to project images of Ariel and the shipwreck right above the audience’s heads, creating a very personal experience. Phyllia Lloyd completely alters the story. Lloyd’s adaptations are centered around forgiveness and vengeance, but the setting is a female prison. This version focuses on modern day problems as well as proving that The Tempest can be performed by an all female cast.